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Alicia Colon:
New York Sun Columnist
September 27, 2004
'Shark Tale' Hit With Bias Accusations
Tonight at the Delacorte Theater in Central Park, Hollywood
stars will be attending the premiere of Dream-Works' "Shark
Tale." This film, produced by Steven Spielberg, is being
accused by Italian-American groups of reinforcing negative
stereotypes of Italians as menacing outlaws. The film opens
Friday to wide audiences.
The president of the Columbus Citizens Foundation, Lawrence
Auriana, saw the film in Toronto last week and said Mr.
Spielberg, who has gone on record against bias and stereotyping,
risks being viewed as a hypocrite for violating his own moral
code.
In an interview with The New York Sun's Eric Wolff, Mr. Auriana
said: "Spielberg has allowed DreamWorks to create the first
children's film in the last 25 years, if not longer, that
promotes bias."
I've never met Mr. Auriana and I don't know how familiar he is
with Mr. Spielberg's body of work, but it's not the first time
the filmmaker has been accused of anti-Italian bias.
"Goonies," which was written and produced by Mr.
Spielberg, is a live-action children's adventure film set
somewhere in the Pacific Northwest. The heroic characters have
names like Devereaux, Walsh, Cohen, and Wang, but the murderous
family of villains is named Fratelli. One also has to wonder why
it was necessary for having a line about "dead guineas"
in Mr. Spielberg's masterpiece "Saving Private Ryan."
It was totally unnecessary.
In "Shark Tale," the mob family has Italian names, but
according to a DreamWorks spokesman, Andy Spahn, those characters
come out positive by the end of the film. Besides, he said, Mr.
Spielberg had nothing personally to do with the film.
Many non-Italians consider anti-defamation protests like this one
and the continuing one against Mafiathemed programs like
"The Sopranos" to be exercises in hypersensitivity.
"Shark Tale" is just a kids' movie, they say. Kids
aren't going to notice any similarity to real Italians.
Since I'm not Italian, I can't relate to the emotional heat
that's being generated by the film, but I've been suspicious for
some time of what Hollywood is turning out as children's fare.
Increasingly, I've noticed that the adult themes in children's
entertainment are less about sheer entertainment than about an
attempt to inculcate certain social values in a very vulnerable,
unsuspecting audience.
Once upon a time, fairy tales and nursery rhymes were imaginary
flights of fancy involving creatures that do not exist in
reality. Dragons, ogres, and giants were the villains of the
tales. These creatures of fantasy served as a moral device in
teaching lessons about good against evil.
But in recent years, Hollywood has created villains with traits
that it does not approve of in real life. Quick! Name a film
depicting an honest Republican.
Likewise, political correctness has seeped into children's
entertainment, so that at a very early age children are groomed
to be members of PETA and the Sierra Club. As a mother and
grandmother, I'm very familiar with the world of children's
entertainment, and I've noticed that subtle messages are included
in many of these films, both animated and otherwise, that are
designed to influence a child's mind on certain issues.
For instance, the otherwise delightful film "Babe" did
not lessen my taste for bacon and other pork products, but
assigning human traits to animals is a favorite tactic of animal
rights activists. Animated films such as "Fern Gully"
and "Pocahontas" carry environmental messages. The
animated "Spirit," which is a film viewed from a
horse's perspective, depicts the enemy as the white American
cavalry officers and the hero an Indian brave - oops, I mean
Native American.
Television programming for toddlers is predominately
multicultural. "Sesame Street" rarely has a white
individual on the show, unless it's a guest star or someone with
a disability. Why, I wonder, is "Dora the Explorer"
teaching kids to speak Spanish when she should be on Spanish
programs teaching kids to speak English?
Feminism, gay families, environmentalism, animal rights, and,
above all, tolerance for these values are being encouraged in
vehicles targeting children. Am I wrong when I suggest that
teaching social values belongs in the hand of parents, not with
the entertainment industry?
As for the allegations that "Shark Tale" establishes
negative stereotypes: Of course it does! But this is Hollywood,
which is and always has been about making money. If "The
Sopranos" is hot and movies like "The Godfather"
and "Goodfellas" made money, "Shark Tale"
will probably do the same, because ultimately it is the tasteless
public that tolerates the bigotry and feeds the stereotyping
kitty.
How else can anyone possibly explain "Growing Up
Gotti"?
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